Stormblast

HEILUNG release “Seidh” music video ahead of Sagas album

Fri, 13 Nov 2026 04:21:27 GMT

HEILUNG have released the official music video for “Seidh,” the second single from their upcoming album Sagas, arriving December 11, 2026, through Season of Mist.

The album features music created by core members Kai Uwe Faust, Maria Franz, and Christopher Juul in collaboration with video game developer Ninja Theory for Senua’s Saga: Hellblade II.

The release follows a period of reduced activity for the collective, which is also working on its fourth full-length studio album.

“Seidh” draws from Norse ritual traditions

Previously performed at The Game Awards in 2023, “Seidh” draws inspiration from Norse mythology and the spiritual practices associated with the world depicted in Hellblade II.

The composition centers on the völva, a figure associated with prophecy and ritual practices in pre-Christian Norse culture. Through chanting, rhythm, and ceremonial elements, the track explores the relationship between the physical and spiritual worlds.

The accompanying video was directed by Gornoss and forms part of a three-part visual narrative addressing the psychological consequences of warfare, trauma, and recovery.

A three-part story about trauma and healing

According to Maria Franz, the video project began in May 2026 with plans to create a single visual narrative for “Læknisgaldr.”

Filming initially took the production team to a Viking market in Borre, Norway, and mountainous locations in Iceland. As the project developed, the group decided that the story required additional chapters.

“We knew we wanted to tell a story about healing from trauma, and the choice of song landed on ‘Læknisgaldr’.”

The expanded production incorporated HEILUNG‘s Haarii warriors, performers recognizable from the collective’s live ceremonies, with additional filming taking place in a forest in the Netherlands.

The completed trilogy follows a narrative sequence distinct from its release order.

“Slagt,” which has yet to receive its accompanying video, represents the initial trauma. “Læknisgaldr” explores the process of healing, while “Seidh” presents the final stage, described by Franz as the vision that follows recovery.

The videos were filmed across locations in the Netherlands, Iceland, and Denmark, with production handled by Eudaimonia APS and Maria Franz.

Sagas expands HEILUNG’s collaboration with Ninja Theory

Sagas collects eleven compositions created during HEILUNG‘s collaboration with Ninja Theory on Senua’s Saga: Hellblade II.

The album will be available in multiple CD and vinyl configurations. Selected deluxe editions include Ambient, an additional collection of eight soundscapes recorded to expand the atmosphere of the game’s world.

Physical editions include a deluxe CD digipak with a 28-page booklet, a two-CD mediabook, several colored vinyl variants, and triple-vinyl editions containing the additional Ambient material.

Sagas tracklist

Geiteseidh
Slagt
Læknisgaldr
Orrustumaul
Seidh
Jøtnarhaiti
Sverdhasøngurin
Spjoutsyla
Sonatorrek
Opnun
Dauðimessa

“Seidh” is available now on streaming platforms alongside its official music video. Sagas will be released December 11, 2026, through Season of Mist.

Pre-order Sagas

ENTRAILS announce Memorial Garden album and release “Apocalyptic Trauma” single

Fri, 13 Nov 2026 04:21:19 GMT

Swedish death metal band ENTRAILS have announced their new album, Memorial Garden, alongside the release of its first single, “Apocalyptic Trauma.” The upcoming record features nine listed tracks, including an intro, and continues the band’s approach to traditional Swedish death metal.

The album draws heavily from the sound of the Swedish death metal scene of the 1990s, combining distorted HM-2 guitar tones, aggressive drumming, and raw production.

Preorders for Memorial Garden are now available on CD and vinyl.

“Apocalyptic Trauma” introduces the new album

The first single, “Apocalyptic Trauma,” provides an introduction to the musical direction of Memorial Garden, emphasizing the guitar sound and rhythmic aggression associated with early Swedish death metal.

The upcoming album also includes songs such as “Decomposed Grave,” “Flesh to be Served,” and the title track, “Memorial Garden.”

Rather than moving away from their established style, ENTRAILS continue to build on the musical foundations of the genre, incorporating the characteristic buzzsaw guitar distortion, pounding drums, and dark atmosphere that defined many Swedish death metal recordings during the 1990s.

The album’s artwork was created by Obscenum Art.

Memorial Garden tracklist

Intro
Apocalyptic Trauma
Corpse Breath
You’re so Dead
Deceased and Rotten
Flesh to be Served
Memorial Garden
Decomposed Grave
Arise to the Undead

Although the announcement describes Memorial Garden as containing eight tracks, the published tracklist includes nine entries when counting the opening intro.

A release date and record label were not specified in the announcement.

“Apocalyptic Trauma” is available to stream now, while physical preorders for Memorial Garden are currently open.

Pre-order “Memorial Garden” CD/LP

BULLET FOR MY VALENTINE release “I Don’t Trust Tomorrow” featuring LORNA SHORE’s Will Ramos

Fri, 13 Nov 2026 04:21:11 GMT

Welsh metal band BULLET FOR MY VALENTINE have released their new single, “I Don’t Trust Tomorrow,” featuring guest vocals from LORNA SHORE frontman Will Ramos. The track arrives alongside an official music video and serves as the second single from the band’s eighth studio album, Social Apocalypse, scheduled for release on March 19, 2027, through Spinefarm Records.

The collaboration follows the release of the album’s title track and introduces a heavier side of the band’s upcoming material, with frontman Matt Tuck describing it as potentially their heaviest song to date.

“I Don’t Trust Tomorrow” features Will Ramos

The new single addresses anxiety, uncertainty about the future, and the pressure of navigating expectations in an increasingly unpredictable world.

According to Tuck, the song explores the frustration of feeling trapped by circumstances while attempting to resist fear and regain control.

“Lyrically, it’s about the fear of an uncertain future and the frustration of feeling trapped by life’s expectations.”

He added that the song also expresses determination to challenge those fears rather than surrender to them.

The addition of Will Ramos brings a contrasting vocal approach to the track, combining BULLET FOR MY VALENTINE‘s established metalcore sound with the extreme vocal techniques associated with LORNA SHORE.

The single’s accompanying artwork was created by Dutch multimedia artist Yossip, who also designed the artwork for Social Apocalypse.

Social Apocalypse examines uncertainty in the modern world

The upcoming album continues the band’s collaboration with producer Carl Bown, who has worked on four BULLET FOR MY VALENTINE albums. His production credits also include SLEEP TOKEN, WHILE SHE SLEEPS, and MALEVOLENCE.

The ten-track record explores personal struggles alongside broader concerns about social division, conflict, and the pace of change in contemporary society.

Tuck explained that his perspective as a father influenced the album’s lyrical direction, particularly his concerns about the world younger generations are inheriting.

“People are being pitted against each other. The world is full of conflict instead of unity.”

The album also features guest vocals from Chrissy Costanza on “In The Absence Of You.”

Social Apocalypse Tracklist

Social Apocalypse
In The Absence Of You (feat. Chrissy Costanza)
I Don’t Trust Tomorrow (feat. Will Ramos)
Here Without You
Acid Rain
Fragile
CVLT
Masquerade
Read Between The Lines
Enough Is Never Enough

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UK and European arena tour announced for 2027

BULLET FOR MY VALENTINE will embark on a 26-date UK and European headline tour beginning January 21, 2027, in Lisbon, Portugal.

The tour includes performances across Spain, Italy, Switzerland, Germany, Denmark, Sweden, Finland, Poland, France, Luxembourg, Austria, Hungary, the Czech Republic, the Netherlands, Belgium, and the United Kingdom.

Electronic rock band PENDULUM will appear as special guests throughout the tour, with DARK DIVINE opening the shows.

The itinerary includes a February 26 performance at London’s O2 Arena, where BULLET FOR MY VALENTINE previously performed during their co-headlining tour with TRIVIUM.

The tour concludes February 27 at Manchester’s AO Arena, several weeks before the release of Social Apocalypse.

“I Don’t Trust Tomorrow” is available now alongside its official music video. Social Apocalypse arrives March 19, 2027, through Spinefarm Records.

CHRIS HARMS releases “U† I†” music video ahead of second solo album APORIA

Fri, 13 Nov 2026 04:20:58 GMT

CHRIS HARMS, vocalist of German dark rock and metal band LORD OF THE LOST, has released the official music video for “U† I†”, the second single from his upcoming solo album, APORIA. The record is scheduled for release on January 22, 2027, through Napalm Records.

The new track follows the previously released “Find What You Love And Let It Kill You” and serves as the opening song on the eleven-track album.

Built around pulsing industrial electronics and somber lyrics, “U† I†”, pronounced “You Die, I Die,” introduces the darker musical and personal themes that characterize Harms’ second solo release.

APORIA explores personal conflict and uncertainty

The upcoming album follows Harms’ solo debut, 1980, released in February 2025. That record, created using equipment associated with 1980s music production, entered the Top 10 of the official German album charts.

Rather than continuing the retro-inspired approach of its predecessor, APORIA incorporates contemporary electronic production, industrial influences, and more introspective songwriting.

The album’s title comes from the Ancient Greek word aporia, a philosophical term describing a state of uncertainty or an apparently irresolvable problem.

That concept extends to the cover artwork, created by VDPictures, which features a Penrose triangle, an impossible geometric figure commonly associated with visual paradoxes.

The record examines personal mistakes, their consequences, unresolved emotions, and the difficulty of confronting uncomfortable aspects of one’s past.

Its January 22 release date also coincides with Harms’ birthday.

Guest appearances and new recording environment

APORIA is the first album Harms produced in his new workspace at Boogie Park Studios in Hamburg, following his departure from Chameleon Studios in spring 2026.

The record features three guest vocalists.

Erk Aicrag of HOCICO and RABIA SORDA appears on “Skipped A Beat,” while Ryan Shuck of JULIEN-K contributes to “You Are Not What You See.”

Hamburg musician SWISS, known for SWISS + DIE ANDERN, appears on “Hallo Depression,” the album’s only German-language track.

Other songs explore similarly personal subjects. “On A Dreamless Night” addresses inner struggles, while the closing track, “Dear Time,” reflects on past decisions and the desire to change their consequences.

APORIA Tracklist

U† I†
Find What You Love And Let It Kill You
Skipped A Beat (feat. Erk Aicrag)
Diamond Death
Tears Of A Nun
You Are Not What You See (feat. Ryan Shuck)
The Unholiest
Hallo Depression (feat. SWISS)
The Only Word You Know
On A Dreamless Night
Dear Time

Physical editions announced

APORIA will be available digitally and in several physical configurations, including CD, vinyl, cassette, and a limited box set.

The box set includes a two-CD edition, an additional bonus CD, a silver chain, and three lenticular cards. Other configurations include a signed test pressing, exclusive splatter vinyl, and black recycled vinyl.

The album represents another extension of Harms’ work beyond LORD OF THE LOST, allowing him to explore electronic arrangements and personal subject matter outside the band’s established musical direction.

“U† I†” and its official music video are available now. APORIA will be released January 22, 2027, through Napalm Records.

ESOTERIK release “Dirt” single and visualizer ahead of upcoming album NÜ SKIN

Fri, 13 Nov 2026 04:20:44 GMT

American industrial and alternative metal duo ESOTERIK have released their new single, “Dirt,” accompanied by an official visualizer. The track is the latest preview of their forthcoming album, NÜ SKIN, and explores the effects of digital overstimulation on human attention, memory, and personal identity.

Featuring Allison Eckfeldt on vocals and Brady Bledsoe on instruments and vocals, ESOTERIK combine industrial electronics, down-tuned guitars, and aggressive vocal arrangements with themes drawn from Norse mythology.

“Dirt” examines digital dependence and the loss of focus

The new single addresses the increasing influence of digital technology on everyday life, particularly the constant exposure to artificial stimulation and its potential effects on concentration and personal awareness.

Musically, “Dirt” combines distorted guitar riffs, electronic sequences, and industrial rhythms, reflecting the tension between technological advancement and the desire for a more grounded human experience.

The song also incorporates references to Odin, the Norse god associated with wisdom and knowledge, using mythology to reinforce its themes of memory and awareness.

Vocalist and multi-instrumentalist Brady Bledsoe explained the inspiration behind the track:

“In a culture designed for cheap stimulation and the systematic destruction of our focus, ‘Dirt’ is about the urgency of restoring balance.”

He added:

“It’s a warning that a mind without memory mistakes novelty for progress.”

The lyrics contrast the idea of digital assimilation with the desire to reconnect with physical reality, presenting attention and intention as essential aspects of personal autonomy.

Norse mythology influences the single’s visual presentation

The accompanying artwork incorporates imagery of Huginn and Muninn, the two ravens associated with Odin in Norse mythology.

Traditionally connected with thought and memory, the ravens appear as cyan-colored digital outlines surrounding Odin’s eye against a distorted electronic background.

The imagery reflects the song’s central themes, representing the fragmentation of thought and memory in an environment dominated by constant digital consumption.

The official visualizer extends this concept through cybernetic imagery and glitch effects, connecting the mythological symbolism with the track’s industrial sound.

NÜ SKIN marks a heavier direction for ESOTERIK

Formed in 2013, ESOTERIK have spent more than a decade combining electronic music with alternative rock influences.

The duo, consisting of Allison Eckfeldt and Brady Bledsoe, have toured internationally and developed a following in Europe.

Their forthcoming album, NÜ SKIN, represents a shift toward a more metal-oriented sound, incorporating heavier guitar arrangements while retaining the electronic elements associated with their earlier material.

“Dirt” follows previously released material from the upcoming record, although a release date and complete tracklist for NÜ SKIN have not yet been provided.

ESOTERIK Lineup

Allison Eckfeldt: Vocals
Brady Bledsoe: Instruments, vocals

“Dirt” is available now on major streaming platforms, including Spotify, Apple Music, and YouTube. Its official visualizer is also available to watch.

SAPRAEMIA release “7th Entity” ahead of Voidbirth of the Pleroma EP

Fri, 13 Nov 2026 04:20:33 GMT

American technical death metal band SAPRAEMIA have released their new single, “7th Entity,” ahead of their third EP, Voidbirth of the Pleroma, scheduled for release on December 8, 2026.

The track is the first of two singles introducing the upcoming release and features drums recorded by John Longstreth of ORIGIN. It was mixed and mastered by Carlos Santos at Sadman Studios in Spain.

Founded by guitarist and principal songwriter Rudy Martinez, SAPRAEMIA combine brutal death metal with technical arrangements, dissonant harmonies, and atmospheric passages.

“7th Entity” explores trauma and self-realization

The new single follows a conceptual narrative involving a psychedelic DMT experience in which a multidimensional entity initially appears as a threatening presence.

As the story develops, the entity is revealed to represent unresolved personal trauma. The lyrics examine how confronting painful experiences through forgiveness, acceptance, and self-awareness can lead to psychological and spiritual transformation.

Musically, “7th Entity” begins with aggressive, technically demanding death metal before introducing increasingly atmospheric and dissonant passages.

Martinez explained how the arrangement reflects the song’s underlying narrative:

“We want to give listeners an experience where brutality and musicianship come together to create emotional depth and immersive sonic landscapes.”

According to the guitarist, the composition gradually shifts away from its initial intensity, introducing more expansive harmonies to represent the movement from confrontation toward acceptance.

Voidbirth of the Pleroma draws from Gnostic cosmology

The upcoming EP explores concepts associated with Gnostic cosmology, including creation, consciousness, decay, transcendence, and the relationship between divine origins and the material world.

Its conceptual direction draws inspiration from the writings and ideas of Terence McKenna, Manly P. Hall, and the band’s interest in occult philosophy and metaphysical subjects.

The material was developed during a difficult period in the personal lives of Martinez and vocalist Weston Stone, contributing to the emotional themes explored throughout the recording.

Martinez typically begins the songwriting process with lyrical concepts and guitar arrangements, which are subsequently developed through collaboration with Stone and the other musicians.

The guitarist also credits Stone’s arrival with helping establish the band’s evolving musical identity.

John Longstreth contributes drums to the new single

The recording of “7th Entity” features drummer John Longstreth, known for his work with technical death metal band ORIGIN.

Mixing and mastering were handled by Carlos Santos at Sadman Studios in Spain.

The band’s current lineup includes musicians associated with underground projects such as DEVOIDMENT, OF VOID AND ASH, DARK KARMA, VIRULENTUS, WRITTEN IN BLOOD, WYKKED WITCH, SHADY GRAVES, and BLOWTORCH SODOMY.

“7th Entity” is available through its premiere at Decibel Magazine. SAPRAEMIA‘s third EP, Voidbirth of the Pleroma, is scheduled for release on December 8, 2026.

Follow SAPRAEMIA: Bandcamp | Instagram | YouTube

STAIND announce ninth studio album The Space Between The Darkness And The Light, release “Watch Me Break”

Wed, 11 Nov 2026 17:41:39 GMT

Massachusetts rock band STAIND have announced their ninth studio album, The Space Between The Darkness And The Light, scheduled for release on March 5, 2027, through Alchemy Recordings/BMG. The announcement arrives alongside the release of their new single, “Watch Me Break,” and details of the second leg of their Break The Cycle 25th Anniversary Tour.

The ten-track album follows 2023’s Confessions Of The Fallen and reunites the band with producer Erik Ron, whose previous credits include GODSMACK, BAD OMENS, and PAPA ROACH.

“Watch Me Break” addresses the pressures of the music industry

The newly released “Watch Me Break” combines distorted seven-string guitar riffs, atmospheric keyboards, and Aaron Lewis’ contrasting vocal delivery.

According to Lewis, the song addresses the psychological pressures musicians face within the recording industry.

“It’s definitely pointed at this insane machine the music industry puts human beings in and expects them to come out normal.”

Lewis explained that “Watch Me Break” was the final song he recorded for the album because of the anger associated with its subject matter.

The track follows the previously released single “Ghosts,” which entered the Top 10 at rock radio after becoming the most-added rock radio single during its debut week, according to the band’s announcement.

Both songs provide an early look at the musical direction of The Space Between The Darkness And The Light.

New album explores conflict, anxiety, and faith

STAIND recorded their upcoming album throughout 2026, working in Nashville, Los Angeles, and Massachusetts.

The record addresses anxiety, personal struggles, faith, and the search for connection, continuing the introspective lyrical approach associated with the band’s earlier releases.

Lewis explained that the album’s title reflects the recurring conflict between opposing emotions and experiences.

“The struggle in the middle of dark and light is so fucking present throughout the entire album. It almost named itself.”

The vocalist added that several songs directly address his relationship with God, contributing to the record’s central themes.

The Space Between The Darkness And The Light will be available in multiple vinyl editions alongside digital formats and limited merchandise.

The Space Between The Darkness And The Light Tracklist

Watch Me Break
100 Mile Stare
Broken
All Along
Ghosts
Pull Me Down
Digging My Own Grave
Why
Free
Get Away

Break The Cycle 25th Anniversary Tour continues in 2027

The album release coincides with the second North American leg of STAIND‘s Break The Cycle 25th Anniversary Tour.

The tour celebrates the band’s 2001 album Break The Cycle, which spent three weeks at No. 1 on the Billboard 200 and has received a seven-times-platinum certification in the United States.

The first anniversary tour leg in 2026 reportedly sold nearly 400,000 tickets, prompting the addition of 27 performances in 2027.

The upcoming run will feature SEETHER, HOOBASTANK, and HINDER, with HINDER absent from the final show in Cleveland.

The itinerary begins March 4 in Manchester, New Hampshire, and concludes April 16 in Cleveland, Ohio.

STAIND 2027 North American Tour Dates

With SEETHER, HOOBASTANK, and HINDER

March 4: Manchester, NH, SNHU Arena
March 6: Baltimore, MD, CFG Bank Arena
March 8: Pittsburgh, PA, PPG Paints Arena
March 9: Reading, PA, Santander Arena
March 10: Huntington, WV, Marshall Health Network Arena
March 12: Tampa, FL, Benchmark International Arena
March 13: West Palm Beach, FL, iTHINK Financial Amphitheatre
March 16: Birmingham, AL, Legacy Arena at the BJCC
March 18: Oklahoma City, OK, Paycom Center
March 19: Dallas, TX, Dos Equis Pavilion
March 20: San Antonio, TX, Frost Bank Center
March 22: Denver, CO, Ball Arena
March 24: Boise, ID, ExtraMile Arena
March 26: Spokane, WA, Numerica Veterans Arena
March 27: Seattle, WA, Climate Pledge Arena
March 29: Vancouver, BC, Rogers Arena
March 31: Calgary, AB, Scotiabank Saddledome
April 1: Edmonton, AB, Rogers Place
April 3: Billings, MT, First Interstate Arena at MetraPark
April 6: Sioux Falls, SD, Denny Sanford PREMIER Center
April 7: Fargo, ND, Fargodome
April 9: Omaha, NE, CHI Health Center
April 10: Kansas City, MO, T-Mobile Center
April 11: Moline, IL, Vibrant Arena at the Mark
April 13: Grand Rapids, MI, Van Andel Arena
April 14: Evansville, IN, Ford Center
April 16: Cleveland, OH, Rocket Arena (without HINDER)

STAIND Lineup

Aaron Lewis: Vocals, guitar
Mike Mushok: Lead guitar
Johnny April: Bass, backing vocals
Sal Giancarelli: Drums

Formed in Springfield, Massachusetts, STAIND have sold more than 15 million records throughout their career. Their catalog includes Dysfunction, Break The Cycle, 14 Shades Of Grey, and Chapter V.

Their previous album, Confessions Of The Fallen, reached No. 1 on Billboard’s Top Rock Albums chart and produced the rock radio singles “Lowest In Me” and “Here And Now.”

The Space Between The Darkness And The Light arrives March 5, 2027, through Alchemy Recordings/BMG. The new single “Watch Me Break” is available now, and tickets for the band’s 2027 North American tour are on sale.

FEAR FACTORY announce new album Roboticist and release “Detonizer” music video

Wed, 11 Nov 2026 17:40:35 GMT

Industrial metal band FEAR FACTORY have announced their eleventh studio album, Roboticist, scheduled for release on April 9, 2027, through Nuclear Blast Records. The announcement is accompanied by the release of a new single, “Detonizer,” and its official music video.

The album marks the recording debut of the band’s current lineup, featuring founding guitarist Dino Cazares, vocalist Milo Silvestro, drummer Pete Webber, and bassist Tony Campos.

“Detonizer” continues the band’s science-fiction narrative

The new single, “Detonizer,” continues the industrial metal approach associated with FEAR FACTORY, combining aggressive guitar riffs, mechanical rhythms, and the band’s recurring themes of technological conflict.

Its accompanying music video expands on the science-fiction storyline introduced in the video for the album’s title track, “Roboticist.”

Directed by Thomas Mignone and produced by Doom Inc. / Undaunted Media, the video features visual effects by Gabriel Connor.

Speaking about the new track, guitarist Dino Cazares stated:

“The Countdown to destruction has begun its time to DETONATE THE SYSTEM.”

The video is the latest installment in the band’s ongoing exploration of artificial intelligence and the relationship between humanity and machines.

Roboticist explores a future controlled by artificial intelligence

Throughout their career, FEAR FACTORY have incorporated themes of industrialization, artificial intelligence, and humanity’s dependence on technology into their music.

Their upcoming album continues those concepts through a fictional future in which machines have gained control and humanity faces extinction.

Describing the album’s premise, Cazares explained:

“Cybernetic Industries has seized control of artificial intelligence, orchestrating humanity’s extinction.”

The guitarist added that the machines have inherited the future, establishing the central conflict behind Roboticist.

The eleven-track album was produced, engineered, mixed, and mastered by Damien Rainaud at Mix Unlimited. Its cover artwork was created by Jean-Baptiste Robilliard of Rhubarbes Lab.

Roboticist will be available digitally, on CD, and in several double-vinyl configurations, including exclusive color variants and a picture disc.

Roboticist Tracklist

Roboticist
Decentralization
Detonizer
Eradicator
Welcome to the Factory
Unsynthesizable
No Blood No Flesh
Synthetic Savior
Neural Infection Scanner
De-Extinction
Fragments

FEAR FACTORY continue North American touring

The album announcement arrives during FEAR FACTORY‘s November 2026 U.S. touring schedule.

Following co-headlining performances with MUSHROOMHEAD on the Soul Of A New War Machine Tour, the band will launch the Cybernetic Domination Tour on November 13 in Wichita, Kansas.

The upcoming run features DARKEST HOUR and BROTALITY, with performances scheduled across Colorado, Montana, Washington, Oregon, Idaho, and California.

The tour concludes with two consecutive performances in Los Angeles on November 28 and 29.

Cybernetic Domination Tour 2026 Dates

With DARKEST HOUR and BROTALITY

November 13: Wichita, KS, Wave
November 14: Denver, CO, Oriental Theater
November 15: Colorado Springs, CO, Black Sheep
November 17: Billings, MT, Pub Station
November 18: Great Falls, MT, The Newberry
November 20: Seattle, WA, El Corazon
November 21: Portland, OR, Hawthorne Theatre
November 22: Boise, ID, Shrine Social Club
November 24: Fresno, CA, Strummers
November 25: San Diego, CA, House of Blues
November 27: Pomona, CA, The Glasshouse
November 28: Los Angeles, CA, Whiskey
November 29: Los Angeles, CA, Whiskey

FEAR FACTORY Lineup

Dino Cazares: Guitar
Milo Silvestro: Vocals
Pete Webber: Drums
Tony Campos: Bass

Roboticist arrives April 9, 2027, through Nuclear Blast Records. The new single “Detonizer” and its accompanying music video are available now, with album preorders also open.

INFECTED RAIN release new single “Bloom” with one-take performance video

Wed, 11 Nov 2026 17:40:27 GMT

Moldovan modern metal band INFECTED RAIN have released their new single, “Bloom,” accompanied by a live, one-take performance video. The track follows their 2024 album TIME and arrives ahead of a European tour supporting DELAIN in February 2027.

Combining progressive metal, metalcore, and electronic elements, “Bloom” explores the emotional complexities of watching someone close pursue their ambitions, even when that journey creates distance in a relationship.

“Bloom” explores growth and emotional distance

The new single addresses the challenge of accepting changes in personal relationships as people pursue different goals.

According to vocalist Lena Scissorhands, the song focuses on supporting someone else’s growth without interpreting the resulting distance as a rejection.

“‘Bloom’ is a reflection on caring deeply for someone and watching them grow, even when that growth creates distance.”

She explained that pursuing personal ambitions can leave less time for relationships, but those changes do not necessarily diminish the connection between people.

The track combines heavy guitar riffs, progressive arrangements, atmospheric synthesizers, and contrasting vocal styles, moving between harsh screams and clean melodic passages.

An accompanying live, one-take playthrough presents the band’s performance of the song.

Stream “Bloom”

Continuing the band’s musical development

Formed in Moldova in 2008, INFECTED RAIN have developed a sound incorporating progressive metal, metalcore, nu metal, and alternative metal influences.

Their discography includes Endorphin (2019), Ecdysis (2022), and TIME (2024).

“Bloom” continues the band’s combination of aggressive instrumentation and personal lyrical themes. The announcement does not identify the single as part of a forthcoming album.

European tour with DELAIN confirmed for February 2027

INFECTED RAIN will join Dutch symphonic metal band DELAIN for a European tour beginning February 2, 2027, in Cologne, Germany.

The ten-date run includes performances across Germany, Switzerland, Luxembourg, and the Netherlands, concluding February 11 in Tilburg.

Following the European shows, INFECTED RAIN are scheduled to return to the United States for appearances at Welcome to Rockville in Daytona Beach, Florida, on May 7 and Sonic Temple in Columbus, Ohio, on May 14.

The band is also scheduled to perform at Reload Festival in Sulingen, Germany, on August 14.

“Bloom” is available now alongside its live one-take performance video. INFECTED RAIN‘s European tour with DELAIN begins February 2, 2027.

GRIMMING announce debut album Jagatod and release “Pankh” music video

Wed, 11 Nov 2026 17:37:56 GMT

Austrian death metal band GRIMMING have announced their debut full-length album, Jagatod, scheduled for release on March 26, 2027, through Napalm Records. Alongside the announcement, the band has released the first single, “Pankh,” accompanied by an official music video.

Named after a mountain in Austria, GRIMMING draw inspiration from the history, folklore, and traditions of Styria. The upcoming concept album is written entirely in the band’s native Styrian dialect and explores historical tragedies, rural life, and the hardships faced by communities in the Alpine region.

“Pankh” examines the Styrian witch trials

The album’s first single, “Pankh,” addresses the witch trials that took place in Austria between the 16th and 18th centuries.

The song focuses on a torture device known as the Pankh, described by the band as a chair allegedly used during interrogations in Styria.

According to GRIMMING, the device represented the third and final degree of torture in the region and remained in use until the 1720s.

The band explained:

“‘Pankh’ was one of the first songs we wrote for GRIMMING and therefore also for Jagatod.”

The musicians described the track as a representative introduction to the album’s musical direction, combining death metal aggression with dynamic arrangements.

The accompanying music video introduces the darker historical subjects explored throughout Jagatod.

Jagatod explores Styrian history and Alpine folklore

The title Jagatod, translated as “hunter’s death,” reflects the album’s focus on the difficult realities of life in the Austrian Alps.

The record is divided into two thematic sections, beginning with historical events and continuing with individual stories drawn from more recent Styrian history and folk culture.

“Zwoa Joah,” meaning “two years,” examines the events surrounding 1816, known as the Year Without a Summer, when unusually cold weather contributed to crop failures and food shortages across Europe.

“Pesthigl” addresses the Black Death pandemic of the 14th century, while “Stodlbrond” recounts a barn fire that leaves a farmer without his family and property.

Other tracks explore the demanding work of Alpine communities, including “Hoizara,” which focuses on the life of a woodcutter, and “Lahn,” inspired by an avalanche.

The previously released “Wüdschitz” and the album’s title track form a connected narrative about a man driven to poaching by famine, whose struggle for survival ends tragically.

The closing song, “Sennerwahn,” examines a phenomenon described in Alpine folk medicine involving psychological distress and isolation among shepherds working in remote mountain environments.

GRIMMING combine death metal with regional storytelling

Although GRIMMING initially intended to draw heavily from traditional Florida death metal, the band’s songwriting developed toward a combination of melodic passages, groove-oriented rhythms, midtempo sections, and elements of black metal.

Discussing the album, the band stated:

“The lyrics are in our first language, Styrian dialect.”

They explained that the decision to concentrate on Styrian and Alpine history was intended to draw attention to the lives and suffering of earlier generations living in the mountains.

Before announcing their debut album, GRIMMING released material including “Lindwurm” and “Wüdschitz.” Those early recordings helped the band secure performances supporting Ukrainian blackened death metal group 1914 and an appearance at Ragnarök Festival.

Jagatod Tracklist

Alpensymphonie
Pankh
Zwoa Joah
Pesthigl
Stodlbrond
Hoizara
Lahn
Wüdschitz
Jagatod
Sennerwahn
Lindwurm (remastered, physical editions)

Physical editions and upcoming performances

Jagatod will be available digitally, on digipak CD, and in several vinyl configurations.

Limited editions include a glow-in-the-dark white and silver splatter LP restricted to 200 copies, a hand-numbered test pressing limited to 30 copies, and special solid verde vinyl and CD editions.

GRIMMING are also scheduled to perform at Rocky Mountain Festival in Austria in November 2026, followed by appearances at Bullhead Festival in Switzerland, Metal Frenzy Open Air in Germany, and Party.San Open Air in 2027.

GRIMMING Lineup

Samuel Dukic: Vocals, guitar
Martin Peer: Guitar
Aron Dukic: Drums
Tobias Kaindlbauer: Bass

Jagatod will be released March 26, 2027, through Napalm Records. The official music video for “Pankh” is available now, and album preorders are open.

MOTHS release “Path Of Existence” and announce 2027 co-headlining tour with INSOMNIAC

Wed, 11 Nov 2026 17:37:24 GMT

Puerto Rican progressive doom metal band MOTHS have released their new standalone single, “Path Of Existence,” alongside the announcement of the Unending Path Tour 2027, a six-date co-headlining run with INSOMNIAC across the southeastern United States and Puerto Rico.

The single introduces two additions to the band’s recording lineup: drummer Emmanuel de León and synthesizer player Christian Santiago. It follows their 2025 studio album, Septem.

“Path Of Existence” explores mortality and transformation

The new track combines progressive and post-metal influences, moving between atmospheric guitar passages, melodic vocals, and heavier sections built around distorted riffs and breakdowns.

Lyrically, “Path Of Existence” examines mortality, personal transformation, and the search for meaning in an unpredictable world. Its themes address the relationship between destruction and renewal, presenting change as an unavoidable part of existence.

Discussing the song, MOTHS explained:

“It is a reflection on mortality, evolution, and the cyclical nature of existence, where destruction and transformation become the foundation for something new.”

The band also describes the song as a confrontation with uncomfortable realities, using fragmented imagery to question the choices people make and their willingness to acknowledge difficult truths.

Rather than treating destruction as a definitive ending, the lyrics examine how it can become part of a continuing process of evolution.

New members expand MOTHS’ sound

“Path Of Existence” is the first MOTHS recording to feature Emmanuel de León on drums and marks the official addition of Christian Santiago on synthesizers.

The single was produced by MOTHS and de León, who also handled mixing and mastering.

Artwork was created by Giannis Nakos of Remedy Art Design.

The addition of synthesizers expands the band’s instrumentation as they continue incorporating progressive metal, doom, stoner rock, and elements of extreme metal into their compositions.

Unending Path Tour 2027 with INSOMNIAC

MOTHS and INSOMNIAC will begin their co-headlining Unending Path Tour 2027 on January 29 in Athens, Georgia.

The tour continues through Savannah, Jacksonville, Daytona Beach, and Orlando before concluding February 6 in Santurce, Puerto Rico.

The six-date itinerary includes four southeastern U.S. cities before the final performance in Puerto Rico.

Unending Path Tour 2027 Dates

Co-headlining with INSOMNIAC

January 29: Athens, GA, Flicker Bar
January 30: Savannah, GA, The Wormhole
January 31: Jacksonville, FL, The Walrus
February 2: Daytona Beach, FL, Arcade 51
February 3: Orlando, FL, Will’s Pub
February 6: Santurce, Puerto Rico, La Caverna

Following the release of Septem

Formed in San Juan in 2018, MOTHS have developed a sound combining progressive metal, doom, stoner influences, and elements of jazz, death metal, and black metal.

Their 2022 release, Space Force, preceded the album Septem, released August 1, 2025.

Recorded in Buenos Aires and mastered by Jens Bogren, Septem draws inspiration from the Seven Deadly Sins, examining themes of excess, power, and human behavior.

The album received coverage from publications including Metal Hammer Germany, Metal Injection, MetalSucks, and Decibel.

MOTHS have also performed alongside AVENGED SEVENFOLD, THE OCEAN COLLECTIVE, CIRCUS MAXIMUS, and THE WELL.

Their previous touring activity includes appearances at Heresy Fest in Argentina, a U.S. East Coast run concluding at Somergloom Festival, and their first tour of Mexico in November 2025.

MOTHS Lineup

Mariel Viruet: Vocals
Jonathan Miranda: Lead guitar
Omar González: Rhythm guitar
Weslie Negrón: Bass
Emmanuel de León: Drums
Christian Santiago: Synthesizers

“Path Of Existence” is available now as a standalone single. MOTHS and INSOMNIAC will begin the Unending Path Tour 2027 on January 29 in Athens, Georgia, with the final show scheduled for February 6 in Puerto Rico.

ATER release “Heart Of Glass” video ahead of new album Everlasting

Wed, 11 Nov 2026 17:36:58 GMT

Chilean dark metal band ATER have released their new single, “Heart Of Glass,” accompanied by an official music video featuring the song’s lyrics. The track appears on their upcoming third studio album, Everlasting, scheduled for release on January 29, 2027, through Torque Records.

The new single explores heartbreak, rejection, and emotional vulnerability, continuing the band’s approach to combining extreme metal with gothic influences and personal lyrical themes.

“Heart Of Glass” explores heartbreak and rejection

“Heart Of Glass” draws from the personal experiences of ATER frontman and lyricist Fernando Bühring.

The song begins with a pulsing heartbeat before moving into slow, heavy guitar arrangements, guttural vocals, and contrasting clean vocal passages. Its lyrics address the emotional consequences of a broken relationship.

Discussing the track, the band explained:

“Going back to our heavier tones, ‘Heart Of Glass’ represents what the new album is all about.”

ATER described the composition as particularly personal to Bühring and said the accompanying video was created to communicate the song’s emotional themes through its displayed lyrics.

The band added that the track is intended for listeners who have experienced heartbreak.

Listen now

Everlasting arrives January 29, 2027

The eight-track Everlasting follows the band’s 2024 sophomore album, Somber, and their 2018 debut, Eternal Gray Spiral.

The upcoming record continues ATER‘s exploration of gothic romanticism through extreme metal, combining heavy guitar and bass arrangements with atmospheric elements and contrasting vocal styles.

Everlasting was produced by Fernando Bühring and recorded at Torque Records. Daniel Lancaster handled mixing, while Tony Lindgren mastered the album at Fascination Street Studios.

The album artwork was created by Travis Smith.

The record also includes “Venus,” previously released as a single in 2025, alongside songs titled “Neverlasting,” “Make Me Bleed,” “Ketamine,” and “Sleep.”

Everlasting Tracklist

Venus
When At Night
Heart Of Glass
Neverlasting
Make Me Bleed
Ketamine
Sleep
With You Came The Winter

ATER’s touring history

Based in Santiago, Chile, ATER have performed extensively across Europe and South America.

During 2024, the band participated in the Epic Prophecy European tour alongside BATUSHKA, VLTIMAS, and GOD DETHRONED.

Their 2025 touring schedule included European runs with VENOM INC., KRISIUN, HATE, POSSESSED, TERRORIZER, SUICIDAL ANGELS, and NIGHTFALL.

According to the band, they performed 110 shows during 2025, including a supporting appearance with CRADLE OF FILTH in Santiago and a performance at Turock Festival in Essen, Germany.

ATER Lineup

Fernando Bühring
Vincent Zbinden
Christian Vallejos
Javier Ciudad

“Heart Of Glass” is available now with its accompanying video. ATER‘s third studio album, Everlasting, will be released January 29, 2027, through Torque Records.

Pre-order

VISCERA announce Hunting Season album featuring Jesse Leach, Matt Heafy and more, release “Merciless By Nature” video

Tue, 10 Nov 2026 22:29:53 GMT

British extreme metal band VISCERA have announced their third studio album, Hunting Season, scheduled for release on February 12, 2027, through Unique Leader Records. The ten-track record features guest appearances from members of KILLSWITCH ENGAGE, TRIVIUM, FIT FOR AN AUTOPSY, CABAL, and DISTANT, among others.

Alongside the announcement, the band has released the first single, “Merciless By Nature,” accompanied by an official music video.

The upcoming album follows Obsidian and the band’s second full-length, continuing their combination of extreme metal influences while placing greater emphasis on the energy of their live performances.

“Merciless By Nature” examines tribalism and misinformation

The album’s first single addresses the influence of misinformation, social division, and group mentality on individual behavior.

According to VISCERA, “Merciless By Nature” explores how tribalism can influence people’s thoughts and actions without sufficient consideration of the consequences.

The band commented:

“Misinformation, cancel culture and hedonism. This is about the dangers of tribalism.”

Musically, the group draws comparisons between the new track and material from its debut album, Obsidian, while describing the latest recording as having a rawer approach.

The accompanying music video provides the first visual preview of Hunting Season.

Guest appearances from KILLSWITCH ENGAGE, TRIVIUM and more

Hunting Season includes several guest vocal performances from musicians across the contemporary metal scene.

Jesse Leach of KILLSWITCH ENGAGE appears on “In The Belly Of The Beast,” while TRIVIUM frontman Matt Heafy contributes to “The Lie That Sets You Free.”

Joe Bad of FIT FOR AN AUTOPSY and SPITTING GLASS appears on “Hivemind.”

The album’s title track features Alan Grnja of DISTANT and Andreas Bjulver of CABAL, while John Centorrino, formerly associated with CRYSTAL LAKE and THE LAST TEN SECONDS OF LIFE, contributes to “Moongazer.”

These collaborations bring together vocalists from different corners of modern extreme metal, reflecting the broader range of influences the band incorporated into the record.

Recorded to capture the band’s live energy

VISCERA recorded Hunting Season at The Arch Studios with Andy Mallaby of OSIAH.

The band deliberately chose a large live recording room to capture the energy of their performances rather than relying on a heavily isolated studio approach.

Vocals were recorded in single takes, with the intention of preserving the immediacy and intensity of each performance.

Christian Donaldson, whose credits include DESPISED ICON and SHADOW OF INTENT, handled mixing and mastering.

The resulting ten compositions emphasize low-end instrumentation, heavy guitar arrangements, and a more direct production approach.

Discussing the album, VISCERA explained that they wanted to create material specifically suited to live performances while establishing a musical direction for future releases.

“We set out to make an album that would set the standard for what we want to build on with future offerings, one that would define our sound as a band.”

The band also noted that their collective influences are more prominent throughout Hunting Season than on their previous two albums.

Hunting Season explores fear, violence and social division

The album’s central lyrical themes revolve around fear, misinformation, tribalism, and the consequences of social instability.

According to VISCERA, the concept examines how groups can be manipulated through misleading information and how collective behavior can escalate into hostility and violence.

The band uses the imagery of hornets and a hive to represent the dangers of group mentality.

This concept extends to the album’s artwork, created by Shindy Reehal of Shindy Design.

The group explained:

“The album’s central theme is fear and misinformation.”

The songs also examine personal struggles with identity and belonging in an increasingly divided social environment.

The title Hunting Season refers to the ease with which large groups can be influenced by misinformation and the resulting consequences for individuals and communities.

Hunting Season Tracklist

Delilah II: The Eternal Flame
In The Belly Of The Beast (feat. Jesse Leach)
Horror Has a Face
Death’s Kiss
Killbox
The Lie That Sets You Free (feat. Matt Heafy)
Hivemind (feat. Joe Bad)
Merciless By Nature
Hunting Season (feat. Alan Grnja & Andreas Bjulver)
Moongazer (feat. John Centorrino)

VISCERA Lineup

Jamie Graham: Vocals
Charlie Michael: Guitar
Adam Bell: Guitar
Chris Keepin: Bass
Danny Yates: Drums

Continuing the band’s development

Formed in 2018, VISCERA have established a touring history alongside bands including LORNA SHORE, DESPISED ICON, DECAPITATED, INGESTED, DISTANT, OCEANO, and CABAL.

The upcoming album represents the band’s third full-length release and continues their work with Unique Leader Records.

With its guest collaborations, live-focused recording approach, and lyrical examination of contemporary social behavior, Hunting Season introduces the next chapter in the band’s catalog.

Hunting Season will be released February 12, 2027, through Unique Leader Records. The official video for “Merciless By Nature” is available now, and album preorders are open.

Stream Hunting Season

CYHRA release “Venom In Me” video and introduce new bassist Ben Varon

Tue, 10 Nov 2026 22:29:45 GMT

Swedish melodic metal band CYHRA have released an official music video for “Venom In Me,” taken from their fourth studio album, Requiem For A Pipe Dream, released June 5, 2026, through Reigning Phoenix Music.

Alongside the video, the band has officially announced Ben Varon, formerly of AMORAL and OCEANHOARSE, as its new bassist.

The video was filmed by Lasse Arkela during CYHRA‘s recent tour supporting DEAD BY APRIL, with editing handled by Arkela and vocalist Jake E.

“Venom In Me” receives new live footage video

“Venom In Me” appears as the ninth track on Requiem For A Pipe Dream, the band’s latest studio album.

The new video features footage captured during CYHRA‘s performances alongside DEAD BY APRIL in Finland, Estonia, and Latvia.

Filmed by Lasse Arkela and edited in collaboration with Jake E, the video documents the band’s recent touring activity and arrives as the group introduces a change to its lineup.

The album also includes previously released songs such as “Bleed With Pride,” “Superman,” “Box With Spirits,” “Skin From Bones,” and “Mark Of My Sins.”

Ben Varon joins CYHRA on bass

CYHRA have confirmed that Finnish musician Ben Varon has joined the band as their new bassist.

Varon is known for his previous work with AMORAL and OCEANHOARSE and has an established connection with the band’s guitarist Euge Valovirta.

According to Jake E, Varon had already performed with CYHRA during their recent shows in Finland, Estonia, and Latvia.

The vocalist welcomed the bassist to the group, highlighting his musical background and the chemistry established during those performances.

“We are absolutely thrilled to officially welcome Ben Varon as the new bass player for Cyhra.”

Jake E explained that Varon’s recent interest in playing bass created an opportunity for the musicians to work together. He also pointed to the band’s recent performances as evidence of how naturally Varon integrated into the lineup.

Varon expressed similar enthusiasm about joining the group, revealing that he has known Valovirta for approximately 25 years.

The bassist previously shared stages with CYHRA while performing with OCEANHOARSE and has followed the band’s music since its debut album.

“I’m stoked and proud to be part of the group, and can’t wait to get back onstage with the guys again soon, as well as writing new Cyhra music together!”

His comments also confirm plans to participate in the band’s future songwriting.

Requiem For A Pipe Dream continues the band’s melodic metal direction

Released in June, Requiem For A Pipe Dream is CYHRA‘s fourth studio album and follows The Vertigo Trigger, released in 2023.

The record continues the band’s combination of melodic metal, electronic elements, and guitar-driven arrangements, with Jake E handling lead vocals.

Formed in 2016 by Jake E, a co-founder of AMARANTHE, and former IN FLAMES guitarist Jesper Strömblad, CYHRA released their debut album, Letters To Myself, in 2017.

Their second album, No Halos In Hell, followed in 2019, with The Vertigo Trigger arriving four years later.

The band’s current lineup includes musicians associated with KAMELOT, THE CROWN, and SUBURBAN TRIBE, bringing together experience from different areas of the Scandinavian metal scene.

With the addition of Varon, CYHRA begin their next period of touring and songwriting with a revised five-member lineup.

Requiem For A Pipe Dream Tracklist

Bleed With Pride
Superman
Miss Me When I’m Gone
Ghostbound
In The Center Of A Miracle
Skin From Bones
Ghost I’m Meant To Be
Mark Of My Sins
Venom In Me
Box With Spirits
Hold Your Fire (feat. Samy Elbanna, digital bonus track)

CYHRA Current Lineup

Jake E: Vocals
Euge Valovirta: Guitar
Marcus Sunesson: Guitar
Alex Landenburg: Drums
Ben Varon: Bass

The official video for “Venom In Me” is available now. Requiem For A Pipe Dream was released June 5, 2026, through Reigning Phoenix Music and is available on streaming platforms and physical formats.

Order / Stream Requiem For A Pipe Dream

BODYSNATCHER release “No Funeral” ahead of U.S. headlining tour with GIDEON, PSYCHO-FRAME and VOLATILE WAYS

Tue, 10 Nov 2026 22:29:24 GMT

Florida deathcore band BODYSNATCHER have released a new single, “No Funeral,” accompanied by an official visualizer. The track arrives November 10, 2026, one week before the band begins its U.S. headlining tour in support of its fourth studio album, Hell Is Here, Hell Is Home.

The upcoming tour features direct support from GIDEON, alongside PSYCHO-FRAME and Australian band VOLATILE WAYS, who will be making their first appearances on a U.S. tour.

“No Funeral” addresses accountability and punishment

The new single is BODYSNATCHER‘s first release of new music since Hell Is Here, Hell Is Home, which arrived in April 2026.

Lyrically, “No Funeral” focuses on individuals who have committed serious wrongdoing and the consequences they face when their actions are exposed.

Drummer Chris Whited explained that the song was inspired by people the band members have encountered in their personal lives.

“We’ve all known people who have done insanely bad things, whether it be directly to us or unthinkable things to others.”

Whited said the lyrics address the satisfaction of seeing those individuals held accountable and receiving punishment for their actions.

Although the song draws from specific personal experiences, the drummer noted that listeners may interpret its message through their own encounters with people who have caused harm.

The accompanying visualizer is available now.

Continuing the Hell Is Here, Hell Is Home album cycle

Released in April 2026, Hell Is Here, Hell Is Home is BODYSNATCHER‘s fourth full-length album.

The ten-track record explores personal struggles and the effects of conflict and instability, combining the band’s deathcore approach with lyrics rooted in individual experiences.

“No Funeral” continues the band’s focus on difficult personal subjects, although the announcement identifies it as a new track rather than part of a newly announced album.

The release also coincides with the next leg of touring behind Hell Is Here, Hell Is Home.

U.S. headlining tour begins November 17

BODYSNATCHER will begin their 23-date U.S. headlining tour on November 17 at The Hall in Little Rock, Arkansas.

The itinerary includes performances in Dallas, Las Vegas, San Diego, Seattle, Denver, Chicago, Detroit, New York, Boston, Baltimore, and other cities before concluding December 16 in Atlanta, Georgia.

GIDEON will provide direct support, with PSYCHO-FRAME and VOLATILE WAYS completing the touring lineup.

The run will also mark VOLATILE WAYS‘ first U.S. tour.

BODYSNATCHER U.S. Tour Dates 2026

With GIDEON, PSYCHO-FRAME, and VOLATILE WAYS

November 17: Little Rock, AR, The Hall
November 18: Dallas, TX, Puzzles Deep Ellum
November 20: Albuquerque, NM, Sunshine Theater
November 21: Las Vegas, NV, American Legion Post 8
November 23: San Diego, CA, House of Blues
November 24: Pomona, CA, The Glass House
November 25: Fresno, CA, Strummers
November 27: Portland, OR, Hawthorne Theatre
November 28: Seattle, WA, El Corazon
November 29: Boise, ID, Shrine Social Club
November 30: Salt Lake City, UT, Metro Music Hall
December 2: Denver, CO, The Oriental Theater
December 4: Sauget, IL, Pop’s
December 5: Chicago, IL, Avondale Music Hall
December 6: Detroit, MI, St. Andrew’s Hall
December 7: Pittsburgh, PA, Preserving
December 8: New York, NY, Gramercy Theatre
December 9: Asbury Park, NJ, House of Independents
December 11: Boston, MA, Paradise Rock Club
December 12: Baltimore, MD, Ottobar
December 13: Virginia Beach, VA, Elevation 27
December 14: Greenville, SC, The Radio Room
December 16: Atlanta, GA, Masquerade (Hell)

BODYSNATCHER Lineup

Kyle Medina: Vocals
Kyle Carter: Guitar
Kyle Shope: Bass
Chris Whited: Drums

“No Funeral” is available now alongside its official visualizer. BODYSNATCHER‘s U.S. headlining tour begins November 17, 2026, in Little Rock, Arkansas, and concludes December 16 in Atlanta, Georgia.

FIREWIND release “Firegod” video from upcoming album Gods, Myths & Titans

Tue, 10 Nov 2026 22:29:04 GMT

Greek power metal band FIREWIND have released their new single, “Firegod,” accompanied by an official music video. The track is the second single from their upcoming studio album, Gods, Myths & Titans, scheduled for release on February 19, 2027, through BLKIIBLK, the metal-focused imprint of Frontiers Label Group.

Led by guitarist Gus G., FIREWIND return with a mythology-inspired concept album featuring the return of vocalist Henning Basse. The twelve-track release draws from ancient Greek mythology, combining the band’s established power metal sound with orchestral arrangements and narratives centered on gods, heroes, and legendary figures.

“Firegod” tells the story of Prometheus

The new single takes inspiration from the Greek myth of Prometheus, the Titan who stole fire from the gods and gave it to humanity.

According to the myth, Prometheus was punished by being chained to a rock, where an eagle repeatedly consumed his liver. Because he was immortal, the organ regenerated, subjecting him to an endless cycle of suffering.

Gus G. explained the inspiration behind the song:

“‘Firegod’ is the second single from our upcoming album, and this one’s about Prometheus and the theft of Fire.”

The guitarist also described the track as a return to the band’s established musical approach, incorporating traditional heavy metal riffs, melodic choruses, and prominent guitar solos.

Musically, “Firegod” combines riff-driven arrangements with the melodic elements associated with FIREWIND‘s earlier recordings.

The official music video accompanies the single, providing another preview of the forthcoming album.

Gods, Myths & Titans explores ancient Greek mythology

The upcoming album is built around stories from Greek mythology, drawing inspiration from figures and events associated with ancient Greek legends.

Alongside “Firegod,” the record includes “The Legend Of Achilles,” referencing the Greek warrior whose story plays a central role in Homer’s Iliad.

Other titles, including “Queen Of The Underworld,” “Under Aegean Skies,” and “Titans Fall,” further establish the album’s mythological direction.

The twelve-track release also features a prologue, a prelude, and an epilogue, giving the record a structured narrative framework.

According to the announcement, the band has incorporated orchestral arrangements alongside its traditional guitar-driven compositions, expanding the musical presentation without abandoning its heavy metal foundation.

Henning Basse returns on vocals

Gods, Myths & Titans marks the return of Henning Basse as FIREWIND‘s vocalist.

Basse previously performed with the band and now rejoins guitarist Gus G., bassist Petros Christo, and drummer Johan Nunez for the upcoming release.

The album also represents a new label partnership, becoming FIREWIND‘s first release through BLKIIBLK, Frontiers Label Group’s dedicated metal imprint.

Gus G., whose career includes work with OZZY OSBOURNE, continues to lead the band’s songwriting and guitar arrangements.

Gods, Myths & Titans Tracklist

Prologue Sacrifice
Firegod
I Will Sail On
The Legend Of Achilles
Cries Of A Mortal
Queen Of The Underworld
Prelude The Chosen One
Under Aegean Skies
A King Dethroned
Unbreakable
Titans Fall
Epilogue

FIREWIND announce 2027 European performances

In addition to the album announcement, FIREWIND have confirmed new European performances for 2027.

The band will tour Spain between March 31 and April 3, with scheduled concerts in Barcelona, Madrid, Granada, and Murcia.

They are also confirmed to perform at Quest Fest in Wolverhampton, United Kingdom, on October 23, 2027.

These dates follow the February release of Gods, Myths & Titans and will give audiences an opportunity to hear material from the new album in a live setting.

FIREWIND Lineup

Gus G.: Guitar, keyboards
Henning Basse: Vocals
Petros Christo: Bass
Johan Nunez: Drums

With “Firegod,” FIREWIND continue introducing the mythological themes and musical direction of Gods, Myths & Titans, combining traditional power metal instrumentation with stories drawn from ancient Greek mythology.

Gods, Myths & Titans will be released February 19, 2027, through BLKIIBLK. The official video for “Firegod” is available now, and album preorders are open. Pre-order

WALLS OF JERICHO release “The Flame” video ahead of System Error: Humanity album

Tue, 10 Nov 2026 22:28:31 GMT

Detroit hardcore band WALLS OF JERICHO have released their new single, “The Flame,” accompanied by an official music video. The track arrives ahead of their forthcoming studio album, System Error: Humanity, scheduled for release on November 13, 2026.

The album marks the band’s return with new material and features guest appearances from Randy Blythe of LAMB OF GOD, Guy Kozowyk of THE RED CHORD, and additional collaborators.

Produced by CONVERGE guitarist Kurt Ballou, System Error: Humanity contains fifteen tracks addressing social division, individual freedom, human rights, and the consequences of collective behavior.

“The Flame” challenges traditional gender expectations

The latest single combines thrash-influenced guitar riffs, d-beat rhythms, and breakdowns, drawing from the band’s established hardcore and crossover influences.

Lyrically, “The Flame” examines the role of language in shaping social expectations, particularly those associated with gender identity and traditional stereotypes.

Vocalist Candace Buckingham explained that the song encourages listeners to question the assumptions and expectations imposed by society.

“We want to start a conversation about the power of words, how they shape expectations, reinforce stereotypes, and influence who we believe we’re allowed to be.”

Buckingham emphasized that the song is intended to encourage understanding rather than division, highlighting the importance of listening to experiences outside one’s own perspective.

She also addressed the need to reconsider longstanding social beliefs and recognize how individuals can contribute to changing them.

The accompanying official music video provides another preview of the band’s upcoming album.

System Error: Humanity addresses social conflict and self-determination

Across fifteen songs, System Error: Humanity explores themes of social inequality, personal agency, and resistance to restrictive systems.

Tracks including “Agency,” “Borrowed Ground,” and “Last Judgement” address self-determination and human rights, while “The Flame” focuses on challenging inherited social expectations.

Musically, the album incorporates elements of hardcore punk, thrash metal, and metalcore.

Songs such as “The Ascent” and “Untouchable” emphasize heavier guitar arrangements and breakdowns, while “Agency” and “The Flame” draw more prominently from thrash and crossover influences.

The record opens with “True Til’ Death” and concludes with “The Reckoning.”

Randy Blythe and Guy Kozowyk contribute guest vocals

The album includes several collaborations with musicians from the hardcore and metal scenes.

LAMB OF GOD vocalist Randy Blythe appears on “Broken Mouths Can’t Speak,” joining Buckingham for a guest vocal performance.

Guy Kozowyk of THE RED CHORD contributes to “Humanity,” while Patsy Puopolo and Matthew Ruby appear on “A Brighter Fire.”

The guest appearances expand the album’s vocal arrangements while maintaining the aggressive musical approach associated with WALLS OF JERICHO.

Kurt Ballou handles production

System Error: Humanity was produced by Kurt Ballou, guitarist of CONVERGE and a producer whose credits include NAILS, THE DILLINGER ESCAPE PLAN, CODE ORANGE, and EVERY TIME I DIE.

The recording emphasizes the band’s live energy, combining heavy guitar tones, forceful percussion, and Buckingham’s vocal delivery.

The album follows a period of festival appearances and live performances, including Louder Than Life, Hellfest, Tied Down, and Furnace Fest.

System Error: Humanity Tracklist

True Til’ Death
Beginning
The Flame
The Ascent
Broken Mouths Can’t Speak (feat. Randy Blythe)
Untouchable
Rise
Agency
Unchained
The End Before
Humanity (feat. Guy Kozowyk)
Borrowed Ground
Last Judgement
A Brighter Fire (feat. Patsy Puopolo & Matthew Ruby)
The Reckoning

Physical editions and limited vinyl variants

System Error: Humanity will be available on digipack CD and several vinyl configurations.

The announced vinyl editions include solid verde, solid gold, translucent yellow, splatter vinyl with an LP-sized booklet, and a white-label edition with additional printed materials.

The solid gold pressing is limited to 300 copies worldwide, the translucent yellow edition to 250, and the splatter edition to 200.

European performances with WAVES LIKE WALLS

WALLS OF JERICHO are also scheduled to perform in Europe from November 10 through November 14, 2026, with WAVES LIKE WALLS.

The five-date run includes shows in Germany and France, with performances in Berlin, Magdeburg, Stuttgart, Montbéliard, and Paris.

WALLS OF JERICHO Lineup

Candace Buckingham: Vocals
Aaron Ruby: Bass
Dustin Robert: Drums
Bobby VaLeu: Guitar
Kyle Gailey: Guitar
Chris Towning: Guitar

With “The Flame,” WALLS OF JERICHO offer another preview of System Error: Humanity, combining their hardcore and crossover influences with lyrics addressing contemporary social issues.

System Error: Humanity arrives November 13, 2026. The official music video for “The Flame” is available now. Pre-order

ARCHON ANGEL release “Without Eyes” visualizer ahead of Beyond The Grave album

Tue, 10 Nov 2026 01:51:18 GMT

Melodic metal band ARCHON ANGEL, featuring SAVATAGE vocalist Zak Stevens and guitarist, songwriter, and producer Aldo Lonobile, have released their new single “Without Eyes” alongside an official visualizer.

The track is the second single from the band’s upcoming third studio album, Beyond The Grave, scheduled for release on December 11, 2026, through Frontiers Music Srl.

The eleven-track album continues the collaboration between Stevens and Lonobile, incorporating melodic metal arrangements, orchestral elements, and the vocal style associated with Stevens’ work in SAVATAGE.

“Without Eyes” examines humanity’s dependence on outside influences

The new single addresses the consequences of allowing external forces to shape individual thought and perception.

According to Zak Stevens, “Without Eyes” uses an allegorical narrative to examine how people increasingly surrender their independence of thought and judgment.

Stevens explained:

“‘Without Eyes’ is an allegorical piece referencing the human condition to transcend time blindly.”

The vocalist elaborated that the song explores the dangers of allowing others to interpret reality on humanity’s behalf, rather than relying on personal experience, independent reasoning, and individual judgment.

He also warned that this dependence could leave societies vulnerable to manipulation by those seeking to exercise power over others.

The song’s themes reflect concerns about personal autonomy, collective decision-making, and the consequences of surrendering critical thinking.

An official visualizer accompanies the single, providing another preview of the forthcoming album.

Beyond The Grave marks the band’s third studio release

ARCHON ANGEL began as a collaboration between Zak Stevens and Aldo Lonobile, drawing inspiration from their shared appreciation for the musical legacy of SAVATAGE.

Over the course of their recordings, the project has developed its own approach to melodic metal, combining prominent guitar arrangements, keyboards, orchestral textures, and Stevens’ distinctive vocal delivery.

With Beyond The Grave, the band continues exploring that musical direction while introducing additional influences into its songwriting.

Stevens described the recording process as an opportunity to expand upon the group’s previous work.

“I’m very excited to announce the release of our third ARCHON ANGEL album, ‘Beyond The Grave’! I thoroughly enjoyed working on this record. I think it’s our strongest effort to date.”

He added that the musicians and songwriting team explored musical ideas that had not previously appeared in the band’s recordings.

The album features eleven compositions, including the title track, “Bloodline,” “Chasing Demons,” “Darkest Hour,” and “As One.”

Zak Stevens and Aldo Lonobile lead the recording lineup

For Beyond The Grave, Stevens handles lead vocals while Lonobile performs guitars and bass.

The lineup also includes drummer Marco Lazzarini and Antonio Agate, who contributes synthesizers, orchestral arrangements, piano, and keyboards.

Lonobile’s involvement as guitarist, songwriter, and producer continues his central creative role in ARCHON ANGEL.

The combination of guitars, keyboards, and orchestral arrangements remains an important part of the band’s musical identity, supporting the melodic and dramatic elements of the compositions.

Beyond The Grave Tracklist

Beyond The Grave
Bloodline
Without Eyes
You
Chasing Demons
Darkest Hour
Ethereal
Who Am I
Asylum
My Crime
As One

Beyond The Grave Lineup

Zak Stevens: Vocals
Aldo Lonobile: Guitars, bass
Marco Lazzarini: Drums
Antonio Agate: Synthesizers, orchestral arrangements, piano, keyboards

The release of “Without Eyes” follows the previously unveiled title track and provides another look at the band’s forthcoming studio material.

Beyond The Grave will be released December 11, 2026, through Frontiers Music Srl. The album is available for preorder, and the official visualizer for “Without Eyes” is available now.

HARAKIRI FOR THE SKY announce Reliving the Trauma – Live at Theater Akzent and premiere “Funeral Dreams” video

Tue, 10 Nov 2026 01:51:11 GMT

Austrian post-black metal band HARAKIRI FOR THE SKY have announced a new live album, Reliving the Trauma – Live at Theater Akzent, scheduled for release on December 4, 2026, through AOP Records. The recording commemorates the tenth anniversary of the band’s third studio album, III: Trauma, originally released in 2016.

Recorded during a special performance at Theater Akzent in Vienna in May 2026, the eight-track live album revisits material from an important period in the band’s history.

To accompany the announcement, HARAKIRI FOR THE SKY have released a live performance video for “Funeral Dreams,” offering a preview of the forthcoming recording.

Revisiting III: Trauma ten years later

Released in 2016, III: Trauma marked a significant stage in the musical development of HARAKIRI FOR THE SKY, further establishing their combination of atmospheric black metal, post-rock, and introspective songwriting.

The album explored themes of grief, isolation, emotional conflict, and human relationships through extended compositions that moved between aggressive passages and melodic arrangements.

A decade later, the band returned to this material for a special performance in Vienna, presenting the songs in a theater setting.

The resulting recording, Reliving the Trauma – Live at Theater Akzent, documents the anniversary performance and features eight tracks, including “Calling the Rain,” “Funeral Dreams,” “Thanatos,” “This Life as a Dagger,” and “Bury Me.”

The live album provides a retrospective of the band’s earlier material while capturing the arrangements as performed by their current touring lineup.

“Funeral Dreams” live video available now

The newly released video for “Funeral Dreams (Live at Theater Akzent)” was filmed during the May 2026 performance.

The concert was recorded by David Pilz, with mixing and mastering completed by Kohlekeller Studio.

Video production was handled by Julian Joy of Lauser Films, documenting the performance for the accompanying visual release.

The album will be available through physical editions and audio and video streaming platforms beginning December 4.

Reliving the Trauma – Live at Theater Akzent Tracklist

Calling the Rain
Funeral Dreams
Thanatos
This Life as a Dagger
The Traces We Leave
Viaticum
Bury Me
Dry the River

A decade of musical development

Formed in Austria in 2011, HARAKIRI FOR THE SKY began as a collaboration between multi-instrumentalist M.S. and vocalist J.J.

Their music combines elements of atmospheric black metal with post-rock, grunge, and modern hardcore influences, frequently addressing subjects such as loss, despair, isolation, and personal relationships.

Across six studio albums, the duo have developed an international audience through their recordings and extensive touring.

Their 2021 album, Maere, reached No. 4 on the German album charts, while the band has received five nominations for Austria’s Amadeus Music Awards.

HARAKIRI FOR THE SKY have also performed throughout North America, Europe, Asia, Australia, Latin America, and Africa.

The upcoming live album documents an anniversary performance dedicated to one of the records that helped establish the band’s musical direction.

UK and Ireland tour begins November 19

Ahead of the live album’s release, HARAKIRI FOR THE SKY will embark on a nine-date tour of the United Kingdom and Ireland with Danish atmospheric black metal band SUNKEN.

The tour begins November 19 in Southampton and concludes November 27 in Bristol, with additional performances scheduled in London, Newcastle, Edinburgh, Glasgow, Dublin, Belfast, and Manchester.

The upcoming shows continue the band’s international touring activity while promoting the anniversary live release.

Live Lineup

M.S.: Guitar
J.J.: Vocals
Marrok: Guitar
Radek: Bass
Paul: Drums

Recording Credits

David Pilz: Live recording
Kohlekeller Studio: Mixing and mastering
Julian Joy / Lauser Films: Concert filming

Reliving the Trauma – Live at Theater Akzent will be released December 4, 2026, through AOP Records. The live video for “Funeral Dreams” is available now.

Pre-Order Reliving the Trauma – Live at Theater Akzent

GAEREA release new single “Shallow” with three alternative versions ahead of North American tour

Tue, 10 Nov 2026 01:51:03 GMT

Portuguese extreme metal band GAEREA have released a new standalone single, “Shallow,” accompanied by an official music video and three alternative interpretations featuring guest musicians from different musical backgrounds.

The release arrives ahead of the band’s North American tour supporting IMMINENCE, alongside DYING WISH, which begins November 13, 2026, in Worcester, Massachusetts.

Following the release of their 2026 album Loss, GAEREA continue exploring different musical approaches, incorporating orchestral, acoustic, and electronic elements into their established extreme metal sound.

“Shallow” explores depression, self-loathing, and the search for hope

The new single addresses the emotional conflict between depression and the desire for a better future.

According to GAEREA, “Shallow” emerged from a period of introspection, with its lyrics examining the struggle to maintain hope while experiencing feelings of isolation and self-loathing.

The band explained:

“‘Shallow’ was written on the edge where depression and clarity briefly meet in an endless dance.”

They described the composition as one of their most experimental recordings, particularly in its approach to vocals and orchestration.

The song also reflects the band’s creative development over the past decade, during which they have expanded their musical direction while maintaining an extensive international touring schedule.

Three alternative versions expand the original composition

In addition to the original recording, GAEREA invited three musicians to reinterpret “Shallow” through different musical styles.

London-based cellist and composer Jo Quail contributes an acoustic interpretation, accompanied by a dedicated music video. Her arrangement places the cello at the center of the composition, emphasizing its melodic and atmospheric elements.

Portuguese electronic artist PARANORMAL ATTACK approaches the song from a different direction, transforming the original arrangement into an electronic remix.

Meanwhile, Juan L. Otaiza presents a piano interpretation that focuses on the composition’s underlying melodies and melancholic atmosphere.

Together, the three versions demonstrate how the song can be adapted beyond its original extreme metal arrangement.

The band also emphasized its intention to highlight musicians connected to Portugal’s creative community through these collaborations.

A busy year following the release of Loss

The release of “Shallow” follows a period of extensive activity for GAEREA.

Throughout the past eighteen months, the band has performed internationally, including appearances at European festivals, a tour of Australia, and their first performances in Japan.

Their 2026 album, Loss, continued the musical evolution established across earlier releases, including Coma.

With “Shallow,” the group introduces another standalone composition that incorporates additional vocal and orchestral experimentation.

The accompanying alternative versions further extend the band’s work beyond conventional extreme metal arrangements.

North American tour with IMMINENCE and DYING WISH

GAEREA will join IMMINENCE and DYING WISH for a North American tour beginning November 13 at The Palladium in Worcester, Massachusetts.

The tour will travel across the United States and Canada before concluding December 13 in Montreal.

The itinerary includes performances in New York City, Philadelphia, Atlanta, Dallas, Los Angeles, Chicago, Toronto, and other major cities.

North American Tour Dates

GAEREA supporting IMMINENCE, with DYING WISH

November 13: Worcester, MA, The Palladium
November 14: New York City, NY, Palladium Times Square
November 15: Silver Spring, MD, The Fillmore
November 17: Philadelphia, PA, The Fillmore
November 18: McKees Rocks, PA, Roxian Theatre
November 20: Atlanta, GA, Tabernacle
November 21: Raleigh, NC, The Ritz
November 22: Nashville, TN, Category 10
November 24: Dallas, TX, South Side Ballroom
November 25: Austin, TX, Stubb’s
November 27: Phoenix, AZ, The Van Buren
November 28: Los Angeles, CA, The Wiltern
November 29: Sacramento, CA, Channel 24
December 1: Salt Lake City, UT, The Union
December 3: Denver, CO, Fillmore Auditorium
December 5: Omaha, NE, Steelhouse Omaha
December 6: Kansas City, MO, Uptown Theater
December 7: Minneapolis, MN, The Fillmore
December 9: Madison, WI, The Sylvee
December 10: Chicago, IL, Riviera Theatre
December 11: Toronto, ON, History
December 13: Montreal, QC, MTELUS

European festival appearances confirmed for 2027

Following their North American performances, GAEREA are scheduled to return to Europe for several major festivals during summer 2027.

Confirmed appearances include Sweden Rock Festival, Tuska Festival, Masters of Rock, Wacken Open Air, and Summer Breeze Open Air.

The band has also announced a July 4 performance at MEO Arena in Lisbon, Portugal, alongside MOTIONLESS IN WHITE, BEARTOOTH, and additional artists.

GAEREA Lineup

Alpha: Vocals
Beta: Guitar
Delta: Guitar
Rho: Bass
Xi: Drums

“Shallow” and its three alternative versions are available now, accompanied by the official music video and a separate visual presentation of Jo Quail’s acoustic interpretation.